Archive for Kate Holden

‘Legends’, an anthology by IndieManga

Posted in Review with tags , , , , , , , , , , , on March 7, 2010 by comicmole

‘Legends’ by IndieManga, 130 pages, A5, black and white with colour covers, £6


“What discerning eyes have you,

to notice here our humble book,

now there’s just one thing to do,

open it and have a look!” – Legends

And thus begins my adventure into Legends, the newest anthology from the comic circle IndieManga.  This book contains five short comics revolving around the central theme of exploring fantastical tales, and in some cases their ties to the real world.

Every member of IndieManga is featured here: Kate Holden, who was one of the winners of this year’s Manga Jiman competition, Anna Fitzpatrick, who writes and draws Between Worlds, Sally Jane Thompson, who created Little Thoughts, Rebecca McCarthy, who’s writing also appeared in IndieManga’s first anthology ‘Origins’, and this time they introduce a new member in the form of Sarah Burgess, who also writes and draws the webcomic Far-Out-Mantic.

Below I’m going to give an example of a page from each comic in the anthology to show their different art styles, and also say a little about what I took away from the story in each short as well.  First up is the 23-page Lucky, by Sarah Burgess:

Lucky is about a lowly squire who loses his pride and joy – his silver-haired horse – to some otherworldly thieves.

The story overall is well-paced, carrying the reader through the fantastical events with ease.  The ending could possibly have used an extra page, just to slow it down and give it more impact, though it closes out with an interesting resonance to the real world.  Similarly to her webcomic, Far-Out-Mantic, Sarah’s art for Lucky has a sketchy, emotions-first-accuracy-second, kind of feel to it.  This means elements like her characters’ expressions and the organic flow of a lot of the pages, are practically perfect.  However, some parts come across as rushed or even just anatomically wrong, which jerks the reader out of the story a little.

But what will bring you back in though is the hand-written text.  Hand-drawn speech bubbles settle comfortably into the layout of each page, and parts where the text breaks free and takes your eyes all around the page as you read are really quite special.

Sharing Lucky’s page count of 23 is the next comic – Vitality, written by Rebecca McCarthy and drawn by Anna Fitzpatrick:

Apothecary shop assistant Bryther had been drinking a vitality elixir to keep herself going thorugh a day’s work, but when the shop gets demolished one day she gets a lesson in how much of a good thing might be too much.

Unfortunately I didn’t quite ‘get’ this story.  It felt very much like it was trying to say something, but I’m still not entirely sure what that thing was.  The plot begins in quite a slice-of-life way, focusing on the main character and her shop, but then introduces a lot of characters and big world events in quick succession.  The reader does not really have enough time to digest all of this information before being taken back to a focus on the main character again for the ending.  It seems like this story either needed to be much longer, with time given to introduce world events and the significance of these characters within them, or more stripped-down and simplified to fit into a shorter page count.

Art-wise, this comic has a painterly feel brought about by a use of flowing organic shapes to portray real human anatomy, rather than reducing the forms down to a more graphical style.  Backgrounds are present and correct, and range from a riot of sketchy detail that can be hard to follow, to some wonderfully balanced and atmospheric scenes.  It seems like some of the pages were a labour of love for the artist, and some were more rushed through.   As a lover of small press endevours, I feel that the atmosphere brought out by the tighter, more considered, pages in Vitality makes this comic worth reading.  However a more mainstream audience would probably expect the entire comic to be presented at this standard.

The impact of popular fantasy stories is considered in the next comic from the Legends anthology: A Walk – or a contemplation on fairy tales, viewpoints, creativity and growing up, by Sally Jane Thompson:

A Walk is 11 pages long.  The story follows a young girl, who at the beginning is being read to before bed.  As she hears the tale being read to her, a beanstalk begins to grow out of the book, and take her on a journey where she encounters lots of the stories and artistic styles that inspire her as she grows up.

These inspirations range from simple fairy tales to sparkly romance, into realism, and even some tinges of menace.  As she interacts with each scene the girl visibly grows up, and at the end of the comic she clicks the lid back onto her pen as an adult artist.

This comic is obviously a very personal one that portrays several stories that have been inspirations or influences on the creator’s own development as an author and artist, perhaps also as a person.

Many different artistic styles and drawing media are used throughout this comic.  The girl herself is always drawn with Sally’s trademark brushpen strokes, which both links her character to Sally as a person and brings all of the disparate art styles used in the comic together as one piece.  As she takes her walk we pass panels drawn in a shojo (girl’s) manga style, simplified cartoons, patterns inspired by art nouveau, use of natural media, ink and screentones.  Its a completely wordless comic, but you won’t miss the words at all.

Also making quite a sparing use of text is the next Legends entry: the 15 page 5 Finger Discount, by Anna Fitzpatrick:

In 5 Finger Discount, when a girl tries to steal a transformation potion from an old witch, an amazing transformations occurs…that could get her into a lot of trouble.

Stand out characters here are the old witch and the horrible blob monster you can see on the page above.  They’re gloriously grotesque!  The entire comic is of course drawn in Anna’s signature painterly style, but compared to Vitality, which she also drew, the screentones used here are of a larger scale (meaning that the dots are larger and further apart than the screentones used for Vitality).  This means that some of the forms of the characters and backgrounds are a little bit less solid and more confusing to the eye, but it also gives the comic a lighter, more airy feel than Vitality, and thus its own personality.

The digital text used for the lettering in 5 Finger Discount is certainly very readable (which should be the first priority), but its also a little jarring over such natural-feeling artwork as Anna’s.  On the other hand, the hand-written sound effects used here (such as the ‘wugableeugh!’ in the page above) are a real high point of the comic – perfectly legible throughout, balanced very nicely with the artwork on each page that they are used on, and suiting the unique personality of the story extremely well.

Showing yet another side to the personality of IndieManga as a group is the final entry in the Legends anthology, the 17 page Adventure, by Kate Holden:

At a foreboding castle in the desolate mountains, a group of three adventures goes toe-to-toe with an ancient foe and his army of automaton minions.

…did I mention the foe had epic flares?

The story and chracters in Kate Holden’s Adventure are pretty simple and archetypal: plucky heroine, brutish warrior, semi-naked elf…but the injection of Kate’s own personality makes it into a fun quirky parody piece.  Her villain here is a good example: you can tell that he’s an epic foe right out of a fantasy story or RPG, but he also has a bit of a shonen (boy’s) fighting manga look to him.  On top of this he wears a superhero-style mask, but forgoes the cape-and-tights for 60s style flares instead.

You might think that all of these influences would make for a bit of a muddled comic, but nothing could be further from the truth – its a very streamlined reading experience.  The only thing holding it back is that, though the experience is fun, it is perhaps not quite hilarious enough as a parody comic to surmount the use of the very stereotypical characters and setting.

But setting aside,a high point to look out for throughout Adventure is the creator’s proficient use of solid blacks and whites in her artwork, giving a punchy, eye-catching finish.  The only hiccup in the art is that, with such a structured style, it seems like buildings and interiors in the backgounds would need to be drawn with straighter, more confident, lines in order to make the best use of accurate perspective and have more impact alongside the characters.

Presentation:

Legends is a tidy and good-looking little book.  Its perfect bound with black and white interior pages and full colour covers.  The covers have a matte finish which gives a high quality look and feel to the book.  A unifying, tongue-in-cheek, graphic design style throughout the book really brings the creators’ different styles together and makes this anthology into one cohesive volume.

The price was a bit hard to find as it wasn’t printed in big friendly numbers on the front cover like you get with a lot of comics.  This may have been a conscious decision not to mar the cover design, and the price was mentioned in the blurb on the back, but something a little easier to spot would have been helpful.

If you enjoy UK manga, or dare I say it even small press comics in general, then I think you will find ‘Legends’ by IndieManga to be a rewarding pickup.  As their name suggests, the group is inspired by manga, but certainly not a slave to stereotypical ‘manga’ art tropes.  Barring some confusing sketchy pages pulling the reader a little out of the experience, overall I was struck by the unique personal creativity on show here – something that is hard to find in the mainstream, and I’m sure one of the reasons why us avid readers love the small press so much.

More books are available, including their first anthology ‘Origins’, on the IndieManga website.

Sarah Burgess has an ongoing webcomic, ‘Far-Out-Mantic’, and more of her work can be found on her portfolio website.

Kate Holden’s ongoing webcomic is Fan Dan Go, and she also has a portfolio website.

Sarah Jane Thompson also has a portfolio up online, plus an art blog.

Rebecca McCarthy has a website/blog.

Anna Fitzpatrick regularly updates her webcomic Between Worlds, as well as keeping a portfolio site and an art blog.

A review copy of this comic was provided.

‘Much Ado about Nothing’ from Manga Shakespeare: a guest article by Kate Holden

Posted in Guest Article with tags , , , , , , on October 26, 2009 by comicmole

William Shakespeare, adapted by Richard Appignanesi & illustrated by Emma Vieceli, 208 pages, A5 softback book, Self Made Hero, £6.99.  Available in high street bookstores or online stores such as Amazon.

After a break from our mini ‘Emma Season’ on Comic Mole in order to announce some new releases for the London Expo, we’re back to round it up with another fun and informative guest article from Kate Holden!  This time she takes a look at SelfMadeHero’s Manga Shakespeare version of ‘Much Ado About Nothing’, once again from the point of view of a reader with a degree in English Literature.

Mole note: spolier alert for Much Ado!  This article is best read if you already know the basic story and characters of Much Ado About Nothing, either having read it, seen it on the stage or as a film etc.

Once again, I’ll hand you over to Kate now…

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If ever there was a Shakespeare play to be adapted into comic form that would sound like a daunting prospect to me, Much Ado is it.  It’s not high concept.  It doesn’t have a big, obvious hook.  No ghosts, no cross dressing, no magic, no fights, no deaths.  Not like Romeo and Juliet, which can be excitingly summed up as, ‘two star-crossed lovers take their life!’.  No, this is something different.  ‘Much Ado About Nothing’ is a deft and subtle play, jam-packed with wit.  In many ways it feels like a precursor to the ‘Comedy of Manners’ genre of plays from the later Restoration period.

As the title suggests, in this play there’s an awful lot going on over not much of importance.  The title itself is an understatement, since there’s a life at risk among other things, but that understatement is what makes it such a fitting title, as this is an understated work that really plays with language and meaning.  To make it successful as a comic requires a lightness of touch.  While this publication has the same illustrator as Hamlet – it’s Emma Vieceli again, albeit with a few years’ more experience giving a more polished look – the style and setting are quite different.  Much Ado employs finer inking and more diffuse tones, so unlike the heavy and sparse feel of Hamlet, this comic has a more shoujo manga (girls manga) feel and a summery atmosphere.  The setting is meticulously reproduced by Vieceli from real Italian scenery.  This isn’t quite a period adaptation.  Or rather, it is, but a later period from Shakespeare’s time.  The overall feeling of the costumes and setting is quite timeless, which I feel works well.  Much Ado is a rather deft and effortless-feeling play, and the art here matches with an elegant, light and airy classical look.

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The play primarily concerns two very different couples.  First we have Claudio and Hero.  Claudio and Hero are young, likely teenagers.  Claudio has just won a lot of honour by performing bravely in war, ‘doing with the body of a lamb, the feats of a lion’.  Having come home with thoughts of battle put behind him, he notices Hero in a new light and Romance comes to mind.  In this adaptation, Claudio and Hero are depicted as two wide eyed and innocent characters, often flushed or excited.  You could easily compare them to Romeo and Juliet.  The plotline of their romance follows a similar course, but with a comedic happy solution rather than a tragic one (Romeo and Juliet reads like a comedy until about halfway through, but I think that’s something to discuss in a later article).  They fall head-over-heels in love, are torn apart by family circumstances, but fortunately there is a happy solution at the end involving trickery and a dramatic reveal!

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The other couple, and the real stars of the show in this adaptation (they’re on the front cover!) are Benedick and Beatrice.  These two are older and more jaded.  They courted in the past, but fell out and have spent their time since incessantly battling wits.  In this adaptation they look probably around their late twenties to early thirties.  While not particularly old, they contrast the wide-eyed idealism of Claudio and Hero.  Benedick is a lovable rogue in his dishevelled outfit with a slight Han Solo air about it.  He is portrayed as flippant and cheeky, but still quite chivalrous.  Beatrice is an elegant and confident lady, shown by her more elaborate and mature clothes, hairstyle and manner compared to the girlish Hero.  Her personality is calm and cool, kind, but with a barbed tongue, particularly where Benedick is concerned!

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Of particular note in this play is the scheming villain, Don John.  He’s a strange character because he doesn’t really have a good reason to want to mess with everybody.  He’s a dark character, portrayed here with black hair and clothes and a solemn demeanour.  His status as a bastard child, unlike his brother, and his less gregarious personality seems to have given him an inferiority complex.  He enjoys causing strife because he doesn’t enjoy socialising.  Notice how he and the Prince are quite similar looking, separated mostly by the colour and style of their hair.  Don John is like a shadow of John Pedro.  Both characters intentionally manipulate those around them, but the Prince does so to make a match, while his brother does so to break one apart.  Don John has the urge to disrupt a society he feels doesn’t welcome him, but rather than admitting his feeling of powerlessness and abandonment, chooses to say that his motivation is just plain villainy.

Manipulation is a recurring theme throughout the play.  In this adaptation, notice how the theme is represented through puppets.  Don John is seen with a puppet of Don Pedro, and later we see Don Pedro with puppets of Benedick and Beatrice.  Masks and music also recur as themes, though this isn’t just in the manga adaptation, but part of the play.  Performance is frequently employed, and for most of the play no single character seems to be aware of what everybody else is up to.  Every character seems to be, for good or bad reasons, involved in some kind of secret plot manipulating somebody else!  A visual theme used here is the apple.  My interpretation of the apple is that it is the symbol of ‘cupid’s trap’.  It symbolises romantic temptation, and the clever plot used on Benedick and Beatrice.  Rather than forcing them together, they are lured to each other in order to realise feelings that were there all along.

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Much Ado About Nothing is an enjoyable read.  It’s a subtle and complex romantic comedy, and while it may not have the conceptual punch or high drama of some of the other plays, particularly tragedies, if you’re willing to look closely it is a real masterwork, very intricate and yet tightly plotted.  While it may seem light and fluffy on the surface, it has hidden depth and complexity.  The art matches well.  While it’s not so conceptually or thematically bold as ‘Hamlet’ you may well find pleasure in its clever, understated and polished execution.  Like the play, it may look effortless, but there’s a whole lot of thought and detail there and a huge amount of hard work!

Once again thanks go out to Kate Holden for giving her time to write this article for us here on the Mole!  Kate is a member of the UK manga circle IndieManga and currently has work featured in their latest anthology release ‘Legends‘, as well as her own webcomic ‘Fan Dan Go‘, which updates twice a week.

New comic: Legends, from IndieManga

Posted in Uncategorized with tags , , , , , , , , , on October 19, 2009 by comicmole

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Debuting at the upcoming October MCM Expo in London, ‘Legends’ is the latest anthology book from UK manga circle IndieManga.  It will be a black and white book of 130 pages with a price of £6.00.  It will feature work from

  • Kate Holden, who should be familiar to Comic Mole readers as the multi-talented creator of the webcomic Fan Dan Go, as well as writing our recent literary article on Hamlet from Manga Shakespeare
  • Rebecca McCarthy, a writer who’s shorts ‘The King’s Silver’ and ‘Rake’ appeared in IndieManga’s first anthology ‘Origins’
  • Anna Fitzpatrick, who’s hauntingly beautiful comic ‘Between Worlds‘ will also be seeing a new release at the October Expo.
  • Sally Jane Thompson, who created Little Thoughts and had a story in Leek and Sushi’s Manga Show: 150 Years of Friendship, amongst other things.
  • IndieManga’s new member! Sarah Burgess, who also writes the fantastic webcomic ‘Far Out Mantic’

So all in all a pretty exciting new anthology title from some proven independent talent! More information plus preview pages can be found on IndieManga’s website.  The comic should also be available to order online from the website shortly after the event, for all those (like me) who can’t make it to the show this year ^_^

‘Hamlet’ from Manga Shakespeare: a guest article by Kate Holden

Posted in Guest Article with tags , , , , , , , on October 4, 2009 by comicmole

William Shakespeare, adapted by Richard Appignanesi & illustrated by Emma Vieceli, 196 pages, A5 softback book, Self Made Hero, £6.99.  Available in high street bookstores or online stores such as Amazon.

Mole note: spolier alert for Hamlet!  This article is best read if you already know the basic story and characters of Hamlet, either having read it, seen it on the stage or as a film etc.

So without further ado, I’ll hand you over to Kate…

HamletCover

Let’s look at Emma Vieceli’s Hamlet:

Hamlet, as I’m sure you’ve been told, is considered one of the greatest works of Literature that exists. Sadly Hamlet is often forced upon school children too young to appreciate it, causing a lifelong resentment of something that’s truly brilliant. Reading the dry text, I have to admit even with a degree in English Literature, can be a chore. To truly experience Hamlet, you need to see it. Because of this, I feel that reading the Manga Shakespeare adaptation is an excellent way to experience the story, as it is much closer to seeing it performed on the stage or on film.

It is important to remember, however, that all performances of Shakespeare plays are interpretations. This comic is an adaptation of the text. The dialogue has been condensed to two hundred pages, and illustrator Emma has made her own decisions about the setting and characters based on her interpretation of the text.

In this article, I will attempt to explain the comic adaptation from a literary perspective in plain English, and point out some interesting things. Since Emma Vieceli also has a degree in English Lit, you can be assured that this adaptation has been considered intelligently.

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Hamlet is a tragedy. The definition of a tragedy is a story concerning the downfall and death of a character who is mighty and heroic, save for an unfortunate fatal flaw. For example, Shakespeare’s Macbeth is a noble man who is brought down by his own ambition (or possibly the ambition of his wife, depending on your interpretation). Hamlet is a particularly complex tragic hero. He becomes obsessed with bringing the truth to light, yet seems paralysed into inaction by his own inner turmoil. There is a lot of discussion about Hamlet’s age in Literary criticism. As a character, he is fascinating depicted as any age, but for a manga adaptation, I have to say I find Emma’s depiction of him as a dashing young adult bishounen quite pleasing! Emma’s Hamlet is less brooding than some depictions. She chooses to emphasise his quick wit, dark humour and his more active and flamboyant side. This works to great effect for the portion of the play in which he feigns madness, and makes him a strong, shounen hero you can root for in a sword fight. Hamlet is noted in the play for his dark, funereal mourning clothes, which he continues to wear some time after his father’s death, to the discomfort of the rest of the court, who are in wedding garb to celebrate his mother’s wedding.

HamletClothes

Hamlet’s clothes are a statement of his disapproval of his mother’s rather early remarriage to her husband’s murderer, and Emma has given his look a rebellious gothic flair which really sets this off. Her Hamlet is a witty, swashbuckling rebel. Perfect, in my opinion, for a comic adaptation.

While we’re on the subject of casting, some other interesting things to note would include Rosencrantz and Guildenstern being presented as twins. This is quite appropriate to the rather unnatural way in which the pair seem to act as one person. They are presented here almost as emotionless dolls and rather unsettling. This reflects their strange role in the play as seemingly unfeeling plot-movers. They eventually die offstage and their death is mentioned merely as a kind of side note.

Ophelia and Laertes deserve a mention, as Emma does a particularly good job of setting them up as very warm, loving siblings before tragedy strikes. Before her madness, Ophilia is portrayed as a very sweet, bubbly girl, and even playing in the river where she will eventually drown in a fit of insanity. By highlighting the comedy in the play, and the brief moments of happiness the characters find, this adaptation makes the tragedy more poignant.

You may not know that Hamlet was originally written as a History. All tragedies in Shakespeare’s day were based on history by tradition. They did tend to be rather loose adaptations of history, and often were based on legends with little actual historical basis, not to mention that they were hugely inaccurate through artistic licence. So Hamlet is based on a real Prince, Amleth, who lived in Denmark hundreds of years before Shakespeare’s time. Shakespeare was an entertainer, not a historian, and so the details of the story bear close to no resemblance to what’s reported in history, not to mention, the details of life the characters discuss reference life as it was in Shakespeare’s time, not the period of the setting. I expect that the costumes would also have reflected contemporary fashions and not been based on those of Medieval Denmark. Since Shakespeare adapted his plays from the stories with so many licenses, I have no problems with any director or artist who does the same when adapting his plays. They are not written as accurate histories, so the setting should be created to reflect and emphasise the events and emotion of the play. In this case, the setting is dark, post apocalyptic cyberpunk.

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The mixture of Gothic and Futuristic in the adaptation may feel a little jarring in places, but Hamlet is a play all about time being mixed up. It even contains the line ‘The time is out of joint’. There are many untimely deaths during the play, and the people of the present are haunted by ghosts of the past. Bones are dug up from the earth and casually tossed around. Nothing is allowed to just let lie in the story, as you’d expect since it starts with a dead king wandering around! The sparse, post-apocalyptic setting emphasises the hopeless feeling of the plot, and the theme of untimely death, by setting it in a dark and largely dead world. Another theme worth noting is information. The characters are constantly plugging themselves into information devices in this comic. Hamlet is a scholar, a man always searching for truth. The act of finding, searching and passing around information is shown in this adaptation through the futuristic setting, and it nicely complements the themes of how everybody is after information. The play begins with a question; “who’s there?” and revolves around a question, “to be or not to be”, and a plot to uncover the truth. By placing emphasis on the act of searching for truth as a physical action, the manga Hamlet makes the theme clear to the reader.

Overall, Hamlet is one of the most richly nuanced of Shakespeare’s texts, and any given adaptation may be very different from any others you have seen, almost to the point of feeling like a different play. The manga adaptation excels because rather than trying to portray a mere generic version of the play with fancy period dress, just going though the motions, it uses a setting, cast and visual metaphor to actually emphasise the important themes, as well as make the story feel like something belonging to the manga medium. Far from being just a dumbed-down ‘for teenz’ version, this is an adaptation which can be studied and analysed just as much as any film or stage production of the play. It’s well worth giving it a close read and taking time to notice the careful details and symbolism, especially if you’re using it as a study aid. If you’re not a Lit student, and just looking to enjoy your Manga Shakespeare books on a deeper level, try reading along with some study notes, which you can find online quite easily, and thinking about why the books chose a particular setting, as well as the depictions of the characters in appearance, age and personality. See how these versions compare to stage productions or films. You’ll find that you can keep coming back and noticing new things. That’s the magic of Shakespeare!

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Many thanks to Kate Holden of IndieManga (aka. Darth Mongoose) for her time in writing this article on the Manga Shakespeare Hamlet from a more literary standpoint than I would be able to.  The observant among you will have probably noticed that Kate also creates comics, in fact her webcomic Fan Dan Go has just rebooted from scratch today!  So go check that out if you like the idea of some super colourful retro fantasy action.

If you liked this article then please say so! And I will try to get more points of view, or different takes, on more fantasic UK indie/small press comics in the future ^_^

FanDanGo Rebooted!

Posted in New Comic with tags , , , , , on October 4, 2009 by comicmole

Remember way back when I wrote a column about Kate Holden’s webcomic, FanDanGo? Well after a hiatus the comic is back!  Its being entirely rebooted from scratch as Fan Dan Go (note the spaces), making use of Kate’s signature super colourful 70s stylings right from the start.

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Regular updates are scheduled for Wednesdays and Sundays, and there have even been mutterings about a black-and-white print version in the future, for you types who prefer to read comics on actual sheets of paper ^_~

Kate has stated that she is leaving the old version of the comic up online for posterity, so its interesting to go back and see how all this began – but more importantly, here’s to more Fan Dan Go in the future!

Review: Leek and Sushi’s Manga Show

Posted in Review with tags , , , , , , , , , , on August 21, 2009 by comicmole

(This review was originally written for REDEYE magazine issue 2.1.)

Leek and Sushi’s Manga Show: 150 Years of Friendship

Anthology: various contributors, 204 pages, A5 digest format, ITCH Publishing, £6.00

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If you’re new to the world of UK small press manga-inspired-comics then Leek & Sushi’s Manga Show is a good place to start.  This anthology compiles 17 short comics by different creators, which were originally entries for the Japanese Embassy’s annual ‘Manga Jiman’ competition in 2008.  The tagline ‘150 Years of Friendship’ references the theme of 2008’s competition: to celebrate 150 years of co-operation between Japan and Britain, the creators were asked to somehow link their entries to the number 150.  This makes for some interesting and varied reading in the volume.

Before each short story begins, a cartoon version of its creator is welcomed to the ‘stage’ for a short interview by Leek and Sushi: quirky comedy characters who represent Britain and Japan respectively.  These introductory segments were designed and drawn by Willie Hewes, who also compiled and edited the book.  They help to tie together each of the 17 individual comics into a volume that is entertaining to read from start to finish, rather than pick-up, put-down affair.

Seeing as ‘Leek & Sushi’ is a compilation, artwork and writing styles do vary within the book.  However in general the standard is very high compared to a lot of other small press offerings; several of the stories that are featured in the book placed highly in the 2008 competition.  For example, among others, ‘B+’ by Susan Golton and Steve Cook won 2nd place and ‘Stars’ by Donna Pesani won 4th.

‘Stars’ is an 8-page story with a steampunk aesthetic, about a little girl who gets her first chance to visit where her parents work: hanging the stars in the sky.  The artwork is beautifully detailed and the story fits well into its allotted page count.

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A page from 'Stars' by Donna Pesani

Other creators of note featured here are: Kate Holden (who placed as a runner up in 2007’s Tokyopop Rising Stars of Manga competition), Faye Yong (who has just finished work on the Manga Shakespeare version of The Merchant of Venice for SelfMadeHero), Karen Rubins (who is currently comic-illustrator-in-residence at the V&A museum), Sally Jane Thompson (who created ‘Little Thoughts‘), and writer Fehed Said (who wrote the graphic novel The Clarence Principle, published by Slave Labour Graphics).

A page from 'Tales by Ghost Light' by Karen Rubins

A page from 'Tales by Ghost Light' by Karen Rubins

The comic is presented as a chunky 204 page, A5 digest format book.  Interior pages are printed on good quality white paper rather than the more flimsy paper you can get with mass-market manga.  The cover is a little thin and papery, but other than that it’s a good-looking volume, well worthy of a place on any UK manga fan’s shelf.

Information on contributors, page samples and online shop: http://www.itchpublishing.com/news/leek-sushis-manga-show/

New Comic: Leek and Sushi’s Manga Show, from ITCH publishing

Posted in New Comic with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on March 9, 2009 by comicmole

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Here’s to a cute new comic in town!  ‘Leek and Sushi’s Manga Show’ is an anthology from ITCH Publishing featuring work from a large selection of artists in the form of their entries to 2008’s ‘Manga Jiman’ competition, organised by the Japanese Embassy in the UK.

The theme to the competition was ‘150’, after 150 years of friendship between Britain and Japan, so its interesting to see how the different artists have tackled this subject in their own ways.  And what artists they are!  There is some top quality work in this book – just take a look at the preview page on ITCH’s website and you should be convinced.

The anthology is available online from the ITCH website shop, or look out for their table at events.  It’s a chunky little volume, printed at manga tankoubon size (which is around paperback size).

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As you can probably tell from the photo I’ve already bought and read this one – just haven’t had time to write a more in-depth post about it – but needless to say, I heartily recommend it and there will be a full review ASAP.