Archive for Reya

An Interview with Morag Lewis

Posted in Interview with tags , , , , , , , on March 5, 2009 by comicmole

Mole notes –

Previous posts about Morag’s work: An Introduction to Reya, Artifaxis review

This interview was done in late 2008, so the Ambient Rhythm volume one that Morag mentions is actually due out in spring this year (2009), not next year.

moraglewis

Comic Mole:  At the moment you are busy producing the comic ‘Reya’, which has been picked up by Markosia – can you tell us a little about Reya and how you came up with the idea for the comic?

Morag Lewis:  Reya was originally conceived as a short story, but it clearly had more going on than what was said – it didn’t really fit into such a short space. My husband wrote the original (which will be included in the graphic novel), and when I asked him about making a graphic novel out of the short story, he responded with a complete synopsis, which I hadn’t been expecting! He says he wanted to write about a magical girl, but to be different – and it would be different if the magical girl had no magic.

CM:  As well as Reya you have in fact been comicking for several years now, producing several pages a week – how do you fit creating comics into your life around a full-time job and other everyday commitments?

ML:  If you want to do something badly enough, you will find the time. I often fit bits of comic creation in where I can – I can compile pages on the bus, and I sometimes tone while watching anime. Inking, drawing and scripting, of course, have more attention devoted to them, although I do regularly ink at the pub during Saturday lunch ^^

CM:  Can you recall what first made you want to start a webcomic?

ML:  I can’t, actually. I know I read Megatokyo and thought, if he can do it, so can I, but I don’t know why I wanted to do one in the first place. It sounded like fun, I suppose (!)

CM:  Which artists or styles inspire you the most?

ML:  Lovely delicate ink work. I very much like the art in Quiet Country Cafe, a beautiful manga which as yet has no English translation. I have a lot of the Japanese tankoubons, and the artist, Ashinano Hitoshi, does a fantastic job of portraying landscapes purely in ink. I like the contrast of pure black and white, so CLAMP’s more recent works, such as XXXholic, are also very attractive. That said, I tend to be actually inspired more by stories than by artwork – really good books are very inspiring.

CM:  Having created several comics in different formats, have you experimented with many different mediums for the artwork?  Do you have any particular favourite tools or media for producing comics?

ML:  I’ve tried pencil, ink alone, ink and colour alcohol markers, and ink-and-tone. I prefer ink alone, because I think I produce better linework that way, but a little tone can be very effective as well. I found colouring using markers time-consuming and expensive, but I do like having colour in a comic. I suppose Reya has the ideal setup – I get to do the inking and then Natalie produces the awesome colour work ^^

ambientrhythm

CM:  As well as writing the stories for multi-chapter comics such as ‘Reya’ and ‘Looking for the Sun’, you also have experience writing short comics and even short prose stories – is there any type of writing you prefer?  And do you feel that there are any specific requirements in writing for webcomic format especially?

ML:  I prefer long comics, because I find comics easier to create than novels, and because I like having the time to get to know the characters properly. That said, short stories, whether prose or comics, are really good fun and very satisfying in a short term kind of way.

For webcomics, yes, I think so (although obviously, it’s up to the creator what they’re making the comic for, so it’s their call). Webcomic format is typically a single page update once or more per week, and readers to expect a payoff for each update, whether that’s a joke or a plot point (preferably both). It can be very difficult to balance that with making something printable if you don’t do gag strips. I love gag strips, but I don’t have that sort of sense of humour, so my stories have to be principally plot-based, which means I have to craft the plot development round the updates. That’s not so bad if your comic is solely a webcomic, like my first one, but if you are writing something destined for print as well, you have to make sure it works both as a webcomic – which requires short, standalone, punchy strips – and as a graphic novel, which requires an ongoing story arc. On the other hand, updating several pages or an entire chapter at a time, like Reya has done, avoids both those problems, so as long as your readers are willing to wait for a month or so for the next twenty page chunk, that works out well.

CM:  You have work available both online and in print – what are your thoughts on the differences between the two presentation methods, and do you consider one to be any better than the other?

ML:  In terms of getting readers, webcomics are better because they are free. I also like the way that they force you to a schedule, and the constant creating also encourages rapid improvement. On the other hand, there’s a lot of dross on the internet and the effort involved in creating a printed comic means that relatively few people do it, so a printed comic stands out more. I love the feel of holding an actual, printed book in my hands as well – it’s very satisfying. And I prefer reading paper books. So they both have advantages. I like to do both, to get every advantage I can 😉

CM:  What has been your favourite comic to work on so far, and why?

ML:  I shouldn’t have favourites, but it would have to be Looking for the Sun, because it ran for so long – I got very involved with the characters and the story, and I still miss them. On the other hand, I’m really enjoying doing Ambient Rhythm and Reya right now, because they both started recently and I think the artwork is much better!

lookingforthesun3

CM:  Do you have any favourite characters from your own work?  If so, what do you enjoy about them?

ML:  Again, I shouldn’t – but I do. Kite and Saryth, from Looking for the Sun, because they orchestrated their own development without me even noticing. They are sufficiently well-rounded that their growth led naturally from what happened to them, and I really enjoyed writing the stories for them. But I do like pretty much every character I’ve written – they’ve all got something special to them. Quite apart from her character, Reya is very cute, and I just like drawing her.

CM:  Do you have any plans for the future that you can tell us about?

ML:  Finishing Reya is the first one, definitely. I’m really enjoying working on it and I can’t wait to get the graphic novel finished. I’m also expecting to be able to publish the first graphic novel of Ambient Rhythm, my webcomic, next year. And there are other things, as yet unformed, which I think about a lot when I’m bored 😉

CM:  What is your favourite dessert?

ML:  Ooh. That’s hard. Erm… probably the pecan cake I make from a Canadian recipe (in Canada they call it broiler cake, but we don’t have a broiler). Or maybe flapjacks. Or the sakura mochi that Teri Aki serves. I like meringues, crunchy on the outside and chewy on the inside. Right now. I’m enjoying pineapple tarts too – there are way too many good desserts and just not enough time ^^

…and with all that talk of pudding, the Mole’s off to raid the fridge!

An Introduction to Reya

Posted in Column with tags , , , , , , , , on March 4, 2009 by comicmole

Very soon I will be posting up an interview with Morag Lewis, the creator of several web and print comics including the completed series ‘Looking for the Sun’ and the ongoing webcomic ‘Ambient Rhythm’, both published by Sweatdrop Studios (check Morag’s own website toothycat.net to read most of her comics for free online, or the Sweatdrop Studios shop to buy print editions).

In our interview we focused on her soon-to-be-released comic, ‘Reya’, published by Markosia, as well as talking about many all-important comics topics (like desserts ^_~ ).   ‘Reya’ is a comic which debuted in 2008 – Chapter One is available to read for free on Myebook and the entire comic should be available to read for free online and as a print edition soon (I’ll post an update when the full comic is released).  The writing, penciling and inks are all done by Morag and the colour work on the first few pages is by Natalie Roberts.

reyacover

The comic is named after its lead character, the young girl Reya, who has just moved from her home village to a new town to study magic.  She is a little confused however because, as far as she knows, she has no magic within her and therefore cannot study it properly.

Neither can I, unfortunately, tell you much more of the plot, as with only one chapter to read there’s not an awful lot that can be said at this stage.  However, if you’re hungry for some more Reya straight away, you might be happy to know that this is not the first time we have been graced with her presence: she was originally part of a short story that was submitted to a past Tokyopop ‘Rising Stars of Manga’ competition.  Unfortunately she didn’t win, but her tale can be found in Sweatdrop Studios’ ‘Stardust’ anthology, which I reviewed in a previous blog entry.

Like her previous incarnation, the general feel of the comic ‘Reya’ is all-ages friendly.  Morag has mentioned that the story will get darker as it progresses, but she hopes that it will remain accessible and enjoyable to as wide an audience as possible.  The art style’ will be familiar to anyone to has read the author’s other work – it very much has her signature look to it.  The colour pages by Natalie Roberts are a treat for online readers but it can be assumed that, because of high printing prices for full colour works, the printed edition will probably be black and white only.  I recommend checking out the colour pages online even if you are planning to buy the print edition as they are very well executed, as you can see:

reyapage1

Thus ends my introduction to ‘Reya’ – as said previously I will upload the interview with Morag ASAP, and keep your eyes peeled for a future announcement of the release of the full edition!